![]() ![]() fixed a bug which was stopping the procedure of loading saved AudioCD layouts using the AudioCD layout file browser. ![]() Spectral editing and an intuitive workflow make the Sequoia DAW a top pick amongst many engineers.ĭubbed “The Engineer’s Choice”, Sequoia has made its name as one of the most comprehensive software suites for audio production, broadcast, post-production, and mastering.- fixed a bug causing a crash when editing a mono file with the pencil tool ![]() At $2,975, it comes as one of the more expensive options on the list, but those who have used it swear by its intuitive approach to audio editing as well as its immense set of features. One of its most revered features is its object-based approach to editing. Objects are made when audio is split up in Sequoia. Objects can be made as many times as you like and are able to be moved around within the tracks. Since objects are independent of one another, fades, effects, and routing can be done on a per-object basis. This allows for great flexibility and the ability to make small changes to small sections of your track.Īdditional features for mastering include MP3/AAC previewing, POW-r Dither, DDP import and export, and spectral editing. The inclusion of MP3/AAC previewing allows you to hear how your master(s) will sound once encoded into the MP3 or AAC file type. The spectral editing abilities in Sequoia come with useful features like switchable display type (linear or logarithmic) and threshold range editing.Īdjustments can be made to hear how your track will hold up against different requirements such as Mastered for iTunes. ![]() Spectral editing in mastering can be great for cleaning up unwanted noise across small or large spans of time. Magix has improved their spectral editing abilities over time using features from their restoration software Spectralayers to add to the abilities of Sequoia over time. If your project workflow requires the most advanced toolset with access to useful features like codec previewing, batch processing, and advanced spectral editing, Sequoia is a great choice. WaveLab ProĪ 64-bit audio engine that supports 32-bit audio with sample rates up to 384 kHz, makes WaveLab Pro a go-to for high fidelity. Steinberg’s contribution to digital audio editing goes back to its creation in 1984 with MIDI editing apps built for Commodore 64 computers. 1989 brought about Cubase which has been adored by many engineers working in tracking, production, and mixing. Their development of VST plugin standards and ASIO drivers took their influence even further into the music industry. When people think Steinberg, they often do not think about WaveLab first. WaveLab, like many mastering DAWs, is a very specialized program that uses an interface unlike most other software. Its feature set is built around mastering, but also includes tools that make it useful for journalists doing audio interviews, post-production houses, and restoration. WaveLab features a 64-bit audio engine that supports 32-bit audio with sample rates up to 384 kHz. This makes WaveLab a great option for those after the most precise, high-quality products. Pair this with an extensive set of analysis tools and you will be sure that your audio is exactly how you need it to be every time. The spectral editing function in WaveLab has been redesigned for version 9.5 and features a new viewing mode called Wavelet Display. This mode allows for a more accurate display of your audio through pitch scaling. Wavelet Display shows more frequencies in the low end of your audio and more time in the high end to bolster your confidence in making edits across these areas. Steinberg even took it upon themselves to add inpainting technology to their spectrum editor. This technology allows WaveLab to replace noise in your tracks with relevant frequencies by analyzing audio before and after the region you are editing. ![]()
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